AIC 2020 ABSTRACTS – NEW DEADLINE

AIC 2020 ABSTRACTS – NEW DEADLINE

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AIC 2020 MEETING
New abstract submission deadline: 5 April 2020, 5pm (GMT)
Dear AIC Members

Please see the below important messages from the AIC2020 organising team regarding the updated abstract submissions information:

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In the context of Covid-19 sanitary situation, to assess the feasibility of AIC2020 on the 6-9th October in Avignon it is indispensable to determine the number of delegates.

For that matter, this third call for abstract will be the final call, and for budget cancellation purposes, the DEADLINE for abstract submission is now set on:

5th April at 5:00pm (GMT)

Since this deadline is the definitive deadline and cannot be extended, the abstract format is now between 150 to 500 words so short abstracts can be submitted.

All abstracts can be modified until 15th April.

We apologise for sending a definitive call with a slightly earlier deadline. This decision has been carefully considered in view of the exceptional situation that can compromised AIC2020 in its actual format. In the unfortunate event that the meeting cannot be organised in Palais des Papes, an alternative format will be considered so submitted communications can be presented and published.

We hope that many of you will send a contribution so AIC2020 can succeed with flying colours!

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Yours sincerely,

Vien Cheung

AIC President

Iiris 2019 awarded to cinematographer and colour grader Pentti Keskimäki

Iiris 2019 awarded to cinematographer and colour grader Pentti Keskimäki

The Finnish Colour Association’s Iiris Prize 2019 was awarded on 21st March to cinematographer and colour grader Pentti Keskimäki. The ever greater role of the colour grader as a creative author of the visual appearance of a film remains without due recognition. At the same time Pentti Keskimäki has worked unflinchingly and productively for over two decades towards raising the visual quality of Finnish films closer to an international level. As an important pioneer in his own field in Finland, Keskimäki has researched various techniques in colour grading. He has collaborated with cinematographers and other film professionals in order to draw attention to the potential of colour grading as part of the creative process of film making. Keskimäki’s professional portfolio includes over 80 film productions in which he has been involved as a cinematographer, colour grader or in other duties. In addition, he has collaborated closely in carrying out various tests and educational events, has actively guided both young and experienced film makers and has forged an impressive career of his own as a colour grader.

Palkinnon saaja Pentti Keskimäki ja SVY:n puheenjohtaja Saara Pyykkö

Pentti Keskimäki and SVY:s President Saara Pyykkö

The Iiris certificate was handed over to Pentti Keskimäki at the Colour, colour – seminar on Saturday 6th April in the National Audiovisual Institute’s cinema, Kino Regina, which is situated in the new Oodi Library building in central Helsinki. The seminar was organised by the National Audiovisual Institute and the Film and Scenography department of Aalto University. The seminar’s themes were the significance of colour and the development of colour techniques in cinema. After the seminar there was a screening of two rare colour films: The Great Sacrifice (Opfergang), directed by by Veit Harlan (Germany, 1944) and Swan Lake by Apollinari Dudko (USSR, 1968).

The Iiris Prize

AIC international Colour Association has proposed that the Spring Equinox (21st March) should be celebrated as International Colour Day. The idea is to celebrate colour, to draw attention to it as a phenomenon uniting mankind and to highlight events and achievements associated with colour.

The Finnish Colour Association’s Iiris Prize is awarded annually on 21st March to a person or persons whose work or deed has created an outstanding colour experience or has noticeably improved the aesthetic appreciation, functionality or safety of people’s daily lives or environment. The work can involve fine art, design, architecture or environmental design or for example colour technologies such as photography, colorimetry or the printing process.

Gruppo del Colore XV Color Conference, September 5th-7th 2019

Gruppo del Colore XV Color Conference, September 5th-7th 2019

XV COLOR CONFERENCE
September 5th-7th 2019
Accademia Belle Arti Macerata
Piazza Vittorio Veneto 5 – 62100 Macerata

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Organizer: Gruppo del Colore – Associazione Italiana del Colore

The aim of the conference is to encourage multi- and interdisciplinary aggregation of colleagues – students and scholars from academic, research, and professional fields working on colour and light, approaching them from a professional and scientific point of view. The conference will star with invited tutorials on different colour-related topics. The scientific program will be organised in two parallel sessions, one in Italian and the other in English. In addition to oral presentations, poster sessions will be organised. At the end of the first day, there will be an annual assembly of the GdC-AIC Association.

ABSTRACT DEADLINE 17h March 2017

Abstract (max 3000 characters, spaces included) submission deadline. The corresponding author during the submission of the abstract has to specify the desired type of presentation (oral or poster). Peer review of the abstracts.

More information: Conference 2019

AIC 2019 Midterm Meeting 2019

AIC Midterm Meeting 2019, Color and Landscape

14-17 October 2019, Buenos Aires, Argentina

http://aic2019.org

Call for papers

You are invited to participate and submit abstracts related to “Color and Landscape”. The theme covers different aspects of the landscape, including visions, constructions and configurations. The concept of landscape has a double existence: the observer and what is observed. It can be thought of as having natural and social configurations; a product of actions and interactions of nature and humans; a perception by a social group and individuals. The landscape has an objective and subjective character; it is a social and cultural construction, a visual reality and a mental image, a transformation from the idea of terrestrial surface to that of identity in a society. Color and landscape can be described, written, perceived, drawn, painted, remembered, lived, walked, traveled, thought of, colored, represented, prefigured, created, designed, inhabited, symbolized, transformed … from literary, physical, pictorial, cultural, patrimonial, archaeological, anthropological, psychological, historical, philosophical, aesthetic, sociological, geographical, topographic, or epistemological points of view, among others.

Submissions will be accepted in any of these orientative fields and topics:

Fields Topics
Landscape design

Architecture

Lighting design

Urban planning

Agronomy

Geography

Ecology

Psychology

Literature

Arts

Engineering

Chemistry

Physics

Color in urban landscapes

Color in urban furniture

Color in urban trees

Color in transportation

Color in natural landscapes

Color in virtual landscapes

Color and cultural landscapes

Color in industrial landscapes

Color identity & color heritage

Color and tourism

Color descriptions in literature

Color in landscape painting

Color and urban art

Crop detection by color

Color in aerial photography

Color in satellite images

Color in geography

Color coding in maps

Digital color

Color under the sea

Color changes according to season

Color changes according to latitude

Color changes along day and night

Color in horticulture and gardening

Color of flowers

Color of the sky

AIC Study groups
involved
Language of color

Arts and design

Color education

Environmental color design

Color vision & psychophysics

 

Submission procedure

See the details and steps for submission at: http://aic2019.org/submission-dates

The selection and peer reviewing of abstracts are carried out by the international scientific committee:http://aic2019.org/organization

Experience Colours! was a great success

The event Experience Colours!, a collaborative effort of the Aalto University’s Experience Platform, The Finnish Colour Association and the Aalto Colour Research Group, attracted an audience of 250 people to the Espoo City Theatre, the venue of this afternoon-long event on 7 November 2018. The topics of the presentations included the role of memory in colour constancy, the planning of colours in new residential areas, new nanomaterials for producing structural colours, the effects of light and colour on health, The NCS as an aid in colour education and research, fashion and colours in Early Modern Europe, colour trends of Chanel lipsticks and the history of the Coca-Cola red brand colour. Keynote speaker Richard Misek gave a talk, with film excepts, about colour in cinema from very early days of the art form to the present. The afternoon was rounded off by a get-together with refreshments in the theatre foyer, where the audience could also enjoy an exhibition of colourful dresses by Aalto University’s fashion and theatre costume design students. What a great event to brighten up the darkest time of the year!

Photos by Verneri Salonen, Kati Winterhalter, Ilona Huolman and Sini Vihma